I know I complain a lot about Pokemon Go in my articles here, but there’s a reason for this. I’m a huge fan not just of the Pokemon series but of what Niantic is trying to do with its game on a basic level. The idea of getting games outside with the rest of the world instead of hidden in our rooms and offices is hugely appealing. I’ve even applied to work at Niantic before (though obviously I wasn’t selected), so for me especially it’s frustrating to see a company I want to succeed repeatedly making the same kinds of mistakes. These are mistakes that plagued the game’s launch, several events, feature reworkings, and now not one, but two birthday celebrations within the same year.
I actually got sucked into the hype recently and even said that the events surrounding the festival might give people a reason to come back. I’ve finally removed my foot from my mouth after previously downing some crow, but I’ve realized that, now more than ever, Niantic needs some tougher love, and here it is.
Back in February, Milwaukee County, Wisconsin, tried to prevent Pokemon Go player-inflicted park damage by requiring ARG developers, including Niantic, to acquire permits before implementing games within the park. The county was subsequently sued by Texas Rope’ Em dev Candy Lab AR this past spring, and now, a judge has granted an injunction blocking enforcement of the ordinance until after the lawsuit’s been resolved, noting not only that it’s unconstitutional but nearly impossible to execute.
In happier POGO news, Legendary Pokemon are coming to Pokemon Go. Unlike other Pokemon, Legendaries cannot be put into gyms to defend, but they should make raids a little bit easier. Trainers at the Chicago event will have a set of challenges to meet, but players not attending also need to help out. PokemonGO Hub has a great chart for finding out when the events begin if you need a little guidance. On the way to legendaries, players can unlock bonuses to just about everything, from Star Dust to increased spawns.
It won’t surprise anyone who reads our WRUPs that a lot of my free time gaming has been mobile-based as of late, especially if it has local multiplayer. While I still prefer PC gaming for the most part, it’s hard for me to bring a mouse and keyboard with me to a convention and play while the line is moving. MMOs with local multiplayer are even harder. Recent conventions have made jumping into traditional MMOs harder, as has the summer heat that magnifies the heat I feel when playing on ol’ lappy (although that could just be a result of the airless storage space I call home!).
At any rate, I decided to bust out my Nintendo Switch a bit more, bringing it with me to try to recreate Nintendo’s questionable marketing ploy and so I can play in a room where open windows don’t pose a risk to my papers and electronics. My weapon of choice? ARMS.
We’ve been talking about exploitative gacha games and related business models on Massively OP for a long time, most recently and notably in depth earlier this year when we covered how Japan, Korea, China, and Singapore have all passed laws to take the model down a peg. In fact, China’s newest anti-gacha laws have since been used to target MMOs, card games, and even Overwatch’s skins. So given all the crackdowns, you’d think that the trend would be to avoid it, right? That industry analysts and watchers on this side of the pond would be wary?
But no. Bizarrely, there’s a new GamesIndustry.biz article this week in which AppLovin Managing Director Johannes Heinze advocates that western developers start including gachapon mechanics, even citing Pokemon Go as a good example of how well it works. He argues that gacha requires:
- A large, varied set of content
- A strong desire from the player to collect as many items as possible
- A game where gacha content is necessary for players to progress
- An effective mechanic for duplicate content (to prevent player churn from pulling too many duplicates)
It’s time to get dangerous. Elite Dangerous.
Er, with me. On YouTube. As a newbie. On a PlayStation 4. You know, this is already sounding pretty dodgy, guys. Expect a lot of self-destructs and technical difficulties as I jump into the cockpit, controller in hand, and try to get into a game I’ve mostly read about from the safety of the internet. We’ll be streaming this time on YouTube to suit PS4 play, so that’ll be fun to try!
What: Elite Dangerous
Who: Andrew Ross
When: 4:00 p.m. EDT on Wednesday, July 12th, 2017
July 6th, 2017, marks Pokemon Go’s first year anniversary. Love it or hate it, it’s a game that quickly made a global impact. It’s been released in at least 129 countries since January 2017, while MMO heavyweight World of Warcraft doesn’t even have Middle Eastern servers, let alone any located in Africa. Niantic has kind of waffled back and forth with its labeling of the game as an MMO, but the comparison is clear. While PoGo is more of a local multiplayer game, Massively OP staff have noted that local, non-digital games are also quite popular in MMO gamer circles. It may not be a true MMO, but Pokemon Go as a Massively Local Multiplayer Game feels like a logical evolution of our genre. ARPGs are one thing when they’re solo, but trying to build a game that puts a literal global audience on the same map feels significant.
It’s not a simple evolution, though. The genre itself is already being attacked in the courts. It has led to players being mugged, shot, and even killed, a situation we’ve seen in MMOs before. Luckily, we’ve yet to see trainer vs. trainer real-world violence. As many of you probably experienced, part of that may be due to the 80% reduction in playerbase before today’s first anniversary, though the game continues to make money.
Let’s review what the game’s changed since it’s release last year.
It’s been almost a year now since non-expat Americans were able to play Niantic’s Pokemon Go. While we’re naturally seeing birthday rumors, the game’s unique position in gaming has led to continued lawsuit issues over AR and Niantic’s struggle with moderating its content.
Rumors of a shiny Pikachu are being linked with both a brief “one-year anniversary” line of code that was recently datamined and news that Niantic will release a “rare Pikachu” at ACM Siggraph.
Meanwhile, the lawsuit between Candy LAB AR and Milwaukee County that we previously reported has led to the two sides exchanging words, none more damning than those of the county:
Following up on its original Steam release by Creative Assembly, Wargaming semi-recently decided to help publish Total War: Arena and present it at E3 2017. It makes a lot of sense, as both companies primarily focus on historical war games and pride themselves on trying to keep things accurate. It’s personally not my favorite genre of games, but I did enjoy history class and always liked when students told me they played these kinds of games because it at least got them interested in their past (though Asian dramas were also a popular “edutainment” option among my students). That being said, I was actually surprised by the process Creative Assembly used in its research — and with Wargaming’s help, tried to gamify it.
I’m a kart racer. Oh sure, I enjoyed Cruisin’ USA and San Fransisco Rush as a kid, and of course I played Gran Turismo a little, but in general, I prefer kart racing games. They’re easier for non-gamers to get into when played on a console and often have mechanics that make them games more forgiving. I can see the appeal of realistic racing games, though. I’m no good at them, but they can be fun.
Even when I first demoed the original The Crew, I felt this way. I didn’t play the game at release, nor have I played any non-kart, non-arcade racers, but I respected it for what it was: a racing game with an MMO lean. However, this year, I feel like I could handle my car better in The Crew 2, which alone made me feel a bit better about the genre, but the addition of both boats and planes actually made me like the game.
I have a love-hate relationship with VR. I’ve bought an Oculus Rift and the Touch, but don’t play it much these days. Part of it’s because my college stuff and Japanese stuff are crammed into a small space with my PC, so I can’t take advantage of certain features, but it’s also because the games aren’t very complete. VR can give you some really cool moments, but most of the time, the games are what you’d get on your PC or console, just in your face, and maybe with a few sides of motion sickness and virtual molestation.
Preta: Vendetta Rising is not revolutionary. It’s not even exclusively a VR title, being cross-platform from mobile to PC. The early animations and voice acting don’t emotionally resonate yet; most of what I saw would have been bland if it wasn’t for the fact that this was specifically a VR demo. That being said, developer Illion and game developer JJ Baek are incredibly sensitive to VR’s largest issues, from women in VR spaces to developing content based on consumer realities rather than developer dreams.
The other day when I made a rare venture out of my E3 coverage den, my slightly younger brother asked, “Hey, did you hear about a game called Fortnite?”
Now, my brother doesn’t explore gaming like he used to. His MMO days are behind him. He wasn’t even aware of Super Mario Odyssey, so his asking about Fortnite was far from expected, especially since I’d learned something I think a lot of MassivelyOP readers will want to hear: The game is sounding a lot like Crowfall for PvE zombie fans.
So yeah, li’l bro, I heard about Fortnite. I even sat down with Fortnite’s Executive Producer Zak Phelps from Epic Games and talked to him during E3 2017 about “monsters,” survival games, and getting PvE fans in there.
I sat down with Elite Dangerous Senior Designer Sandy Sammarco again at E3 2017, and while the information I’ve got in terms of game info may be a bit old hat for hardcore Elite players, I want to be clear on something: MMO players should take note of how Frontier is doing community events. Even if you aren’t interested in the game itself, the design strategies and execution are things that are reminding this jaded MMO-enthusiast about what got me into the MMO genre in the first place. I don’t really do space sims, and haven’t touched my VR for months (though I could probably hop on normal PC or PS4 versions), but my time with Sammarco has gotten me closer to hitting the “buy” button on the game.
So ARK: Survival Evolved is going to be the first big survival sandbox not named Minecraft or Don’t Starve to not only make it to launch but to get there from Early Access development. Leaving EA is something we rarely see, which is why readers may notice I’m quite critical of games that ask for your money, sell you an incomplete game, and then spend years defending their EA status while continually making money on an unfinished project. To hear that a company once known for making paid DLC for an unreleased game is willing to shake the security blanket that is Early Access fills me with joy and a little trepidation.
Normally, this is where I’d tell you I’ve written up the interview, which is still true. However, as this was in a small group setting, not only do we have a writeup, there’s also a YouTube video for the few of you who have thirty minutes to wade through the (mostly) raw interview. You’ll see ARK’s Community Manager Cedric Burkes in person, hear daring press try to ask hard-hitting questions, and cringe as my terrible hat hair makes a quick appearance at about the 27-minute mark.