anthem

EA hypes Anthem trailer and combat ahead of its pre-E3 EA Play show

We’re just a week and change away from E3, and you know what that means: Every major game company is going to be trickling out info ahead of time, negating the need to spend money to head to LA. Yay! That appears to include EA and BioWare’s Anthem, as according to the companies this morning, EA’s pre-E3 show will include a new trailer for the game.

“You’ll get a glimpse into the story, characters, and monsters that bring the game to life,” says EA. “Last year we showed off some of the core gameplay that you can expect from Anthem – flying, fighting, and of course, collecting loot. And this year we’re happy to show off some more. Tune in to see it all. […] One thing we’ll be showing in-depth this time around is combat. The power of the Javelin exosuit will be on full display as players take on the most ferocious enemies seen yet.”

The whole shebang starts at 2 p.m. EDT on June 9th. And yes, we’ll be at E3 this year!

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BioWare’s Anthem will let you be ‘the hero of your story’ even in multiplayer

What began as a general vision statement for BioWare quickly turned into a treatise on how the studio is going to handle Anthem’s multiplayer mode.

General Manager Casey Hudson returned for another dev blog in which he attempted to reconcile the studio’s focus on players being the “hero of your story” while participating in Anthem’s multiplayer environment.

“We’re taking this problem head-on and structuring the entire game design to provide a specific solution for this,” Hudson wrote without going into detail on said solution. “We think it creates a unique experience where you have control over your own story, but your story is set in an ever-changing multiplayer world. And yes, even though Anthem is meant to bring out the best parts of playing as part of an online community, you can choose to play through the story with only your friends, or even on your own.”

Hudson said that BioWare has other teams working on envisioning future games and different experiences. He also confirmed that Anthem will be shown live before an audience at EA Play (June 9th through 11th).

Source: BioWare

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EA quarterly financials: Anthem due March 2019, record profits, and lockbox-gambling denialism

EA’s quarterly financial report and investor call turned out to be a doozy this year with quite a bit of useful news. To wit:

BioWare’s Anthem is set to ship “in the last quarter of the year, and in the last month of that quarter,” so if we’re counting by fiscal quarters, that’s March 2019, and no wiggling out of this latest delay, EA. According to PCGN, multiple execs inflated the hype, arguing it’s a “stunning and ambitious” game with a “fundamentally social experience.”

Also, in spite of industry interviews to the contrary, it appears that EA learned basically nothing from the Star Wars Battlefront II fiasco that drove the ancient lockboxes-are-gambling argument out of weary corners of the online gaming market and into mainstream politics. The plan going forward appears to be fighting the perception – now codified in Belgium – that lockboxes are gambling in the first place. “We don’t believe that FIFA Ultimate Team or loot boxes are gambling firstly because players always receive a specified number of items in each pack, and secondly we don’t provide or authorize any way to cash out or sell items or virtual currency for real money,” CEO Andrew Wilson said during the call.

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SuperData examines the lootbox controversy’s effect on EA and the gaming industry

How big a deal with the lootbox controversy that finally hit the mainstream last year? Pretty big, SuperData argues. In a new blog post, the analytics firm argues that “the loot box controversy hampered Star Wars Battlefront II out of the gate” as shown by the game’s monthly active users compared to its predecessor’s, and that the resulting dumpster fire has caused publishers to rethink lootboxes and self-regulate or at least modulate their greed – an effect we’ve already seen in the MMO industry too.

“At the upcoming E3, we’re likely to see presenters announce ‘no loot boxes’ or that paid content is ‘cosmetic only’ in order to get on the good side of creators and hardcore gamers,” SuperData predicts. “Loot boxes won’t disappear anytime soon given their success in games like Overwatch (over $600M of loot boxes sold through February 2018). In the short term, though, ‘No loot boxes’ will be the game industry’s own ‘gluten free water’ — and we’re likely to even see this slogan used to market titles where loot boxes would not make sense such as adventure games.”

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BioWare: Anthem will be ‘unlike anything you’ve played’

While not going into any details about the progress of Anthem’s development and testing dates, BioWare nevertheless attempted to prime the pump for fans’ expectations this week.

BioWare General Manager Casey Hudson wrote the first of apparently several upcoming posts on Monday in which he acknowledged the studio’s failures in delivering more stories for Mass Effect: Andromeda while also putting in a plug for a brighter future with Anthem. Hudson said that Andromeda’s DLC stumble led to BioWare “refocusing” its mission by not losing sight of the world, character, and storytelling in its games.

“It’s in that spirit that we are working through production on Anthem,” Hudson said “a game designed to create a whole new world of story and character that you can experience with friends in an ongoing series of adventures. It will be unlike anything you’ve played, but if we do it right, it will feel very distinctly BioWare.”

Source: BioWare

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Another writer allegedly leaves BioWare – what on earth is going on with Anthem?

Surfacing at the tail end of last week was the news that multiple former BioWare devs who’d all contributed heavily to Star Wars The Old Republic at one point or another in their careers were moving on to a new studio called FogBank to work on unnamed narrative-centric games. The Fogbank roster includes Daniel Erickson and Alexander Freed, both of whom left BioWare and SWTOR years ago. But it also includes renowned storyteller Drew Karpyshyn, who’d returned to BioWare specifically to work on Anthem, which certainly cast some doubt on the state of that game, which has been delayed at least once (though EA denies it).

On Saturday, Anthem studio boss Casey Hudson address growing player concern on Twitter, suggesting rather ambiguously that Karpyshyn had simply finished his work on the game and was moving on as part of the natural course of development. “Story will always be an important part of every BioWare game,” he wrote. “Drew has wrapped up his work on the project, but Anthem’s Lead Writers and their teams continue to do amazing work developing the world, story, and characters.”

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Former SWTOR creative director and key writers form up under new studio FogBank

We don’t know exactly what titles they’re working on, but three former Star Wars: The Old Republic veterans have joined forces under a studio now called FogBank, working on an “episodic narrative” game developed in conjunction with an “interactive storytelling platform.” As GIbiz reports, FogBank isn’t entirely new; it’s a a spinoff of Kabam that was picked up by FoxNext as Aftershock, then renamed.

The studio is led by studio director Daniel Erickson, the former creative director of Star Wars: The Old Republic; he moved around in the last few years after departing BioWare and SWTOR, most recently doing a stint for Kabam, where he was the director on mobile titles Spirit Lords and Star Wars: Uprising.

VentureBeat notes that Alexander Freed, the beloved SWTOR senior writer credited with the popular Agent storyline, will oversee narrative development for the new company. He left BioWare in 2012 too.

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Hyperspace Beacon: What was not said in the SWTOR 2018 Roadmap

Star Wars: The Old Republic players leaped for joy when Producer Keith Kanneg finally released the winter and spring 2018 roadmap last week. It was good to hear from him after so much silence over the holidays. I don’t begrudge the silence, personally. It’s typical for people in the games industry to slow down some over the November and December holidays. And many companies do not receive their annual budget until mid-to-late January. So the simple truth is that BioWare Austin probably couldn’t make any real promises for 2018 until February.

Also, Kanneg made some great statements at the beginning of his letter to the SWTOR fans. He said, “We’ve decided to use the Forums as the means to get you the information about the next couple months versus waiting for a Roadmap.” I’m completely on board with this. And I hope that SWTOR fans on the forums allow the developers to be more open and honest with their communication. That would mean that there will probably be things that are said that have to be taken back and more we-hope-we-can-do-this statements that aren’t actually promises.

Despite the good things, there were a few subjects that weren’t talked about or were glossed over in the roadmap that do raise some concerns.

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EA pushes BioWare’s Anthem to 2019 but denies that it’s a delay

When is a delay not a delay? When Electronic Arts says so, obviously.

The video game mega-publisher announced today that it was moving BioWare’s Anthem to 2019, seeming to confirm a report last week that mentioned the new launch window for the multiplayer shooter. The reason depends on who you listen to; Kotaku says that it is due to development falling behind, while EA claims that it’s to give space between the launch of this fall’s Battlefield title and next year’s Anthem.

While a longer wait until launch is never something that fans want to hear, at least they can be entertained by EA admantly declaring that this move “is not a delay” and that “people are trying to create a story.”

Ironically, this declaration seems to have triggered a small Streisand effect, drawing a greater amount of attention on this delay-that-is-not-a-delay and pretty much daring every news source to use that word in its title.

Source: The Verge, Twitter. Cheers, Sally!

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BioWare shifts resources to Anthem and debates SWTOR’s future

Talk about putting all of your eggs into one basket. While BioWare is nominally working on both the next Dragon Age title and Star Wars: The Old Republic, Kotaku reports that most of the studio’s personnel and resources are being devoted to the development of 2019’s multiplayer Anthem.

The outlet said that it had spoken with several unnamed sources close to the project that say BioWare is staking its future on Anthem as the studio continues to reassign employees to this title.

“There’s a belief that if Anthem doesn’t live up to EA’s expectations, BioWare will look very different in the future, especially after the disappointment of Mass Effect Andromeda led to EA absorbing BioWare Montreal into the studio EA Motive,” the article said.

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Lockbox roundup: MMO studios on ‘elegant’ lockboxes, legal issues, and the ‘cosmetics only’ angle

You know the lockbox thing is reaching saturation when there are so many things to cover we have to resort to a roundup. Nevertheless, for those of you who want to stay on top of developments and arguments, here we go.

Polygon has an explainer piece up on Destiny 2’s Eververse fallout and why everyone is still rioting over the game’s monetization. Of note for this discussion is the publication’s note that if Destiny 2 is hell-bent on having lootboxes, it ought to adopt Overwatch’s lootboxes, as they’re relatively tame and haven’t produced a Reddit in full meltdown.

Gamasutra has a roundup of MMO developer quotes from studios that believe they’re doing lockboxes “elegantly,” including Trion (for Defiance), PWE (for Star Trek Online), Wargaming (for World of Warships). In this particularly case, that means either being easily accessible through in-game play (not just in the cash shop), making lockbox drops tradeable to other players, creating systems of accruing lockbox rewards, or offering a choice of lootbox type.

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MMO Year in Review: Morrowind, Stormblood, and Secret World Legends (June 2017)

We’re taking a time-machine back through our MMO coverage, month by month, to hit the highlights and frame our journey before we head into 2018!

Easily the high point of the year, June saw the launch of The Elder Scrolls Online’s Morrowind and Final Fantasy XIV’s Stormblood, along with the relaunch of The Secret World as Secret World Legends.

Meanwhile, Shroud of the Avatar launched a controversial equity crowdfunding campaign, Cryptic announced a Magic the Gathering MMORPG, and we got a look at Skull & Bones, Sea of Thieves, and Anthem at E3. We also confirmed that Neowiz and Aeria had cut ties, leaving the former to bring Bless Online westward alone.

Read on for the whole list!

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Perfect Ten: 20 multiplayer games to watch in 2018

A couple of weeks ago I covered 20(ish) MMORPGs that we are looking forward to seeing develop, test, and launch in 2018. But as you well may know, Massively OP covers a small university’s worth of “not-so-massively” multiplayer games that have some crossover into the MMO space. We do this because it gives some people much-needed gripe fuel and also because a lot of our readership is also interested in these games.

There is a lot of movement in the multiplayer game space, especially as the larger video game market continues to adapt and hew to MMO design. It’s a blended mess as we continually try to sort these games out into their proper categories, but while we do that, you can enjoy this list of 20 multiplayer games that you should be tracking in 2018. From survival sandboxes to pirate simulators to sequels, here we go!

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