We’ve been chatting about game economies this week here at Massively OP, so it’s a happy coincidence than this week’s episode of Around the Verse features Star Citizen’s shopping kiosks and commodities system in detail. Heck yeah, space shopping.
“The kiosk is going to be the user’s interface to purchase things or sell them within the game that are not physically within the shop in the case, purchasing or things in their inventory, things from their ship all selling with be done through the kiosk,” explain studio reps. There’s also a nifty discussion on the difficulties of scaling the economy to support the sale of “super tiny and inconsequentially priced [items] all the way up to […] massive battlecruisers.” As for recipes,
“Recipe in the context of Star Citizen is somewhat similar to a crafting recipe in other MMOs. It defines the types of commodities and resources that go into manufacturing a given item like a laser cannon or even a ship. The way that we use recipes and the way that you may find them in another game is that those recipes generally aren’t used directly by the players, instead they’re used by the design team to really sculpt the types of goods that are bought and sold in a location in the world and that’s to make that location feel correct. So if it’s a factory that it buys and sells the kinds of things that you would expect from that location.”
Is it possible for one game to think of every little detail in a fictional universe? Star Citizen’s various teams are certainly trying to cover all of their bases to an insane degree. In this week’s Around the Verse show, details such as player tattoos, the placement of cargo in vessels, how one ship can take off with another ship in its belly, the feel of landing gear, and even the liquid physics in a cup of water are given close attention.
The main thrust of the episode, however, is what the team is doing with derelict ships and sites. These initially started as a demo and technical challenge, gradually expanding into a new type of environment for players to explore.
That’s no moon; it’s a… oh, wait. It’s really a moon? Oh, that kind of ruins the lede, doesn’t it? Can I at least make the joke anyway? Good. That’s no moon; it’s a procedural moon!
Yep, procedural moons (and planets!) steal the show on this week’s episode of Star Citizen’s Around the Verse. The Frankfurt team explains that each one of these locations is unique, with its own gravity, ecosystems, objects, weather, and atmosphere, and players can land seamlessly anywhere on the surface.
“What makes the game so challenging to build [is that] every asset must be crafted so it looks good not only to the distance but also from right in front of your eyes, and there aren’t many games that have those demands. I think it’s one of the things that makes Star Citizen so special,” Chris Roberts says.
In this week’s episode of Around the Verse, Star Citizen’s Chris Roberts and Sandi Gardiner cap off another round of developer updates on the crowdfunded MMO. The Austin team checks in with news on the pricing structure for the gameworld, mission rewards, hub NPCs, mission givers, and the carry system. The Turbulent team also outlines progress on the Spectrum communication software, and there’s a behind-the-scenes segment on visual effects — they’re going to some wild extremes to make sure that engine trails look right in atmo.
Most importantly? “Along with the bartender we are also getting the useable for the bar stool up and running. Once this is done a player will be able to go and sit at a bar stool and order a drink,” Producer Jake Ross says.
Meanwhile, CIG has a flash sale running this weekend for subscribers, once again offering the Caterpillar for purchase until Monday, as well as a new Q&A on the Nox, which was the last ship up for sale. Check out the whole episode down below.
This week’s episode of Star Citizen Around the Verse sees Cloud Imperium’s Chris Roberts and Eric Kieron Davis bookending Foundry 42, Ship Shape, and solar system segments. From the Foundry 42 Frankfurt office, Development Director Brian Chambers checks in to discuss new hires, level design work, landing zones, atmosphere mapping, buddy AI, enemy reactions, planet surfacing, outpost lighting, environment art, and multiplayer persistent universe gameplay testing (yay!), while Ship Shape is aimed at you motorcycle lovers.
“Being able to see your footsteps in the snow or have your vehicle kick up dust while speeding across the desert are those little details that’ll make you believe that you’re really in those environments and be much more immersive, and you know me – I love immersive,” Roberts chimes in.
The best bit is easily the solar system segment, but I’m biased – I married an astrophysicist. The devs explain how they use the Solar System Ed (SolEd) to build out the parts of their galaxy in the service of the Star Map, making use of volunteer astronomers and other scientists to vet their ideas for scientific plausibility. Fun!
Hellion isn’t the only sci-fi sandbox finally getting female characters underway: Star Citizen is working on the female body meshing, just one of the tidbits in this week’s edition of community-oriented infodump program Around the Verse, this episode helmed by brothers Chris and Erin Roberts, aka “Roberts squared.”
“A female transfer mesh has been created and the male transfer mesh has been massively updated. Now these transfer meshes are used in conjunction with all of our skinning tools to automate basic skinning of all of our new characters. Tech Animators can now spend time affecting the weighting of a mesh, allowing for a higher quality and a more accurate deformation in less time.”
The check-in with the LA studio provides updates on the narrative work and dialogue for 3.0, ship cargo mechanics, solar system content, object container editing, the intelligent flight control system, costumes, and improved character rigging. And there’s a behind-the-scenes on the game’s networking and database code. Enjoy!
This week’s Around the Verse has arrived for Star Citizen fans, helmed by both Chris Roberts and Sandi Gardiner. This episode has a crapton of footage worth a skim for the visuals alone; there’s a lengthy studio update from the folks in Manchester, discussing the accessibility of the early game, including the hint system, plus 3.0 mission development, AI pathing, lighting and reflection, weapons, animations, ships, ground vehicles, weapons, habitable units for outposts, cockpit graphics, and character customization.
Item 2.0 and the great ship migration of 2017 get the back half of the episode. The takeaway? Seats are really important. 3.0 is coming, citizens! Check it all out down below.
Big changes are coming to Star Citizen — well, to its website. This week’s episode of Around the Verse explains that the game’s website is being overhauled to make it more functional and responsive for both hardcore backers and newbies who stumble into it and can’t figure out what’s actually playable yet. Spectrum 0.3.5 – that’s Cloud Imperium’s built-from-scratch communication tool – is on the way as well.
Meanwhile, the studios are hard at work on all things 3.0, as the Austin studio check-in outlines, with additional work on mocap, persistent universe animations, the subsumption system, and the new mission manager. There’s also a look at the massive ongoing ship migration project as older ships are updated to the item 2.0 framework, what Producer Ashram Kain calls “one of the largest things that [he thinks] has ever been done in a game, particularly a multiplayer game.”
In this week’s rip-roaring episode of Around the Verse, the Star Citizen team checks in with the game’s Frankfurt studio. This studio has recently grown to 74 employees, which raises the question of who on this planet isn’t currently working on Star Citizen?
“We routinely visitors to the office and this month was no exception with people here from both our US and U.K. offices,” Development Director Brian Chambers said. “Most of the senior production staff from across all the offices came together in one place for their annual summit. Had some intensive meetings and discussed upcoming and ongoing plans and we found that a few days face to face without distraction can actually go a long way.”
Following an update of Chambers’ team’s progress, the episode moves on to look at the design of a stealthy bomber, the Eclipse. You can get the full effect of developer genius by watching the full episode below, or if you prefer you could always simply read the transcript via Relay.
Currently on sale in Star Citizen right now is a new concept ship, the Aegis Eclipse, on sale now for $250 for VIP backers and soon to be on sale for everyone else too. CIG has not given out ship stats, so you’re buying it blind if you’re buying it early, or you can wait for the full reveal today. You’re also buying it with cash (not credit) if you’re buying it early — part of CIG’s ongoing attempts to curb melt-down credit hoarding and exploits. The ship has thus far raised $400,000.
The sale is further teased in this week’s Around the Verse episode, in which the team checks in with the LA studio for a recap of its work on the new item system, plus there’s a behind-the-scenes update from multiple members of the team spread out over the world working on lighting and fog.
In sadder news, Rogue-Jaсk, a prominent Russian Star Citizen and dedicated translator of Star Citizen news, has passed away. Friends and gamers are currently posting in an effort to see him memorialized in the game come launch.
On Star Citizen’s Around the Verse episode this week, Erin Roberts checks in from the UK studios in Wilmslow, where the team is working on 3.0 as well as Squadron 42. Of note, there’s been progress on the player interaction system, air traffic control, player useables, conversation tech, fog, visual effects, and multiple ships, plus hundreds of animations, including facial animations for shooting guns, which is an absurd level of detail, I think you’ll agree.
The behind-the-scenes segment loops back to the player interaction system, mechanics critical to not just the player’s ability to function in the world but to immersion.
“The Player Interaction System touches everything. It’s a unified interaction across first person experience of shooting, of shopping, of looting,” Calix Reneau explains. “Being able to point at things with reckless abandon actually opens up a lot of opportunity for interactions of ‘I want to find out more about that,’ and we can give back contextual clues of the things that you can do.”
Check out the whole episode below.
This week’s episode of Around the Verse sees Star Citizen’s Chris Roberts and Sandi Gardiner bookending the Austin studio update and tech check-in. The Austin branch is focused on major features for 3.0, Producer Jake Ross says, from commodity trading and the mission-giver experience to landing zones (yes with smuggling) and ship damage modeling. Work on Spectrum — that’s the huge in-game/out-of-game communication tool being custom-built for the game — continues as well.
The behind-the-scenes segment will be music to the ears of those of you who want to hear all about how the game and its builds are hosted.
The episode concludes with what is probably its best bit, a May the 4th tease that amounts to “a little glimpse of Mark Hamill in the cockpit of Squadron 42.” We’ve tucked it down below.
On this week’s Around the Verse, Star Citizen’s Chris Roberts and Sandi Gardiner bookend two key segments. The first is a studio update with Foundry 42 checking in from Frankfurt; Brian Chambers describes the team’s efforts on procedural planets, spawning, moons, performance capture, the conversation system, NPC AI, and missions headed into Squadron 42.
The moons “are getting cooler every week, and they’re actually a really great test example where we’re sort of pushing our tech for the planets, which will also pay off on the more involved planets like Hurston or ArcCorp or Microtech and beyond,” Roberts says. “So it’s a great test bed, and it’s kinda fun for me, and we share it with you guys, but I sort of see the progress weekly in it, and it gets cooler and better. So this universe is going to be awesome.”