Despite my best efforts, I walked away from my trading attempts in Black Desert
having been wholly unsuccessful. I consider this a good thing, and it left me with a very positive impression of the mechanics involved, with maybe one exception.
This may sound weird and almost nonsensical, but additional context sheds some light on that statement. One of my repeated points which I harp on over and over is that I want systems to have complexity equal to the amount of time you’re expected to devote to them. If you want me to work hard at establishing trade routes, I want that system to be as complex as clearing out high-level dungeons or engaging in siege warfare.
In other words, it shouldn’t be something I can master or even do much more than brush against while I’m on a high-speed tour of the game and what it has to offer. And while I was a bit disappointed with the game’s gathering mechanics, the trading system seems to offer exactly what I wanted to see.
If you were curious about the Marvel Heroes Omega edition
out on PlayStation 4 but didn’t want to shell out for a founder pack to buy beta access to what will eventually be a free-to-play title, today’s giveaway is for you! We’ve got five founder codes for our readers. The giveaway, like the ongoing closed beta, is restricted to North America
. Read on to enter to win!
Previously, while discussing ARK: Survival Evolved’s big bird nerf, I touched on the subject of the early access model. My focus then was on the model in relation to ARK, but it isn’t unique to the dinosaur survival game by any means. In fact, that model pretty much defines the entire multiplayer survival genre, which appears to be (perpetually) stuck in early access. Just take a gander at our guide: Practically every title is in EA. Some have even been in this unfinished state since 2013!
So what gives? Why isn’t anything getting completed and actually launched? Or is this really what launch looks like nowadays? I certainly hope not. Early access certainly has its place, but there are issues — especially with games that use the model for years on end. And that isn’t doing the survival genre any favors in the long-term.
Elder Scrolls Online possesses a distinct flavor. I can honestly say that there is no other MMORPG like it. In fact, the whole Elder Scrolls series is unique. The only thing that probably comes close to matching it is the Fallout series, and since that’s made by the same developer, does that really count at all?
But I still know there are people who will still not like the new chapter for Elder Scrolls Online, Morrowind. Opinions abound, and I welcome them. But I also understand that you can be critical of something without pouring blind hate all over it. I appreciate it when people can have an honest, thought-filled discussion about why something doesn’t work for them. It’s kind of a journey of self-discovery, to be honest.
And that’s why I would like to talk about why some people are not going to like Morrowind. Specifically, I would like to talk about some of the more absurd reasons that people have been blowing up the hate on the forums about class changes. Although there might be a little bit of substance to what is being said, many of the underlying reasons are without merit.
So it’s just about that time again – we’re remembering when City of Heroes launched and when it said goodbye. Which is a bit of a sad time, y’know? I loved that game. I still do. Is it my favorite game ever? Heck no, but the fact is that it was a good game, and I wish it were still around. I could, of course, just rewrite my last column when I was talking all about that game for this year… but that’s not how I do things.
No, this year I want to go a different route. At the time it closed down, the game had 10 normal archetypes, which were and were not classes; they were most cleanly classes rather than anything else, but a given archetype contained more variability than your average class in most MMOs. Yet leaving aside the epic Archetypes, we’ve got just the right number for this list format. So while we all know Crab Spiders would be at the first-place spot if we included those… out of the original basic archetypes, how do those rank up, worst to best?
Thus, that’s what we’re doing this year. Which archetypes were the most original, fun, and nifty, and which ones were the most boring? Which means this time we’re starting at 10, because I like countdowns.
In honor of the launch of Star Trek Online
‘s season 12 Reckoning for console, PWE
has granted Massively OP five Tier 6 Tal Shiar Adapted Battlecruisers to raffle to our readers!
The Tier 6 Khlinae-class battlecruiser is one of the many ships used to great effect by the Tal Shiar. It utilizes an insidious variant of Borg technology to subvert the weaponry of an enemy vessel – the Enhanced Indoctrination Nanite Dispersal System. This starship features a Lieutenant Tactical/Intel bridge officer station and a Lieutenant Commander Science/Command bridge officer station.
Read on to enter to win!
At least we’re finally thought the story. While we walk through a review of Final Fantasy XIV: Heavensward
in its totality, we’ve taken three weeks covering all of the various stories within the expansion, as well as touching upon a bit of the class design in the last part. Parts one
, and three
cover everything from the main scenario to some of the zone side stories. And now we can move on to the mechanical side of things enthusiastically.
Also, we’re reaching the point where I know I’m going to forget to mention at least one or two things that were really keen from the expansion, but that’s a different discussion.
In terms of sheer volume, of course, Heavensward nearly matched what we got from the base game in terms of patches, and arguably surpassed it in some categories; sure, we only got 10 dungeons from patches rather than 15, but if you didn’t have any interest in Coil in 2.x, you got the entirety of Alexander, which was new. But volume alone isn’t the determinant of how good that content was. So let’s start in on that, albeit not with the dungeons.
Over the last week or so, ZeniMax Online Studios opened up parts of The Elder Scrolls Online’s Morrowind test servers to the press and public, allowing us to hop in and take a long and unfettered look at the developing expansion. In fact, that’s why I shied away from saying anything about the Elder Scrolls Online patch notes controversy — I’ve been buried in the real thing all week. Although I can now talk about the negative, I can also finally talk about the positive bits Morrowind has to offer.
I want to be fair about my analysis of ZOS’ depiction of the island of Vvardenfell and the Dark Elf culture, so I will have to put aside some of my nostalgic feels and take the experience for what it is: a solid entertaining MMORPG with a handful of flaws. I’m not going to pull any punches, but I should let you know that I really like this next chapter for ESO.
I’m not going to give everything away, but there is an interesting story involving a god, a priest, and a giant crab.
Welcome along to Guild Chat, the column through which the Massively Overpowered community can discuss and solve a whole plethora of guild-related issues other readers are facing. In this edition, reader-in-need Gwen is seeking our help with finding sensible ways to take an extended break from the guild she leads. She recently has received the happy news that she is pregnant and wishes to plan ahead for the time leading up to her baby’s arrival and that crucial bonding period thereafter, and she is thinking of taking maternity leave of sorts from her MMO of choice to welcome her new bundle of joy.The trouble is that she does wish to go back to her gaming as soon as she feels ready and doesn’t wish to retire her guild, so Gwen is looking for advice on how to conduct some sort of handover so her guild doesn’t die a slow death in her absence.
Read below for Gwen’s full submission and my response, and don’t forget to leave your helpful advice in the comments too.
The first I ever heard of Lord of the Rings Online
was flipping through the pages of some gaming magazine back in early 2007. At the time, I was neck-deep in World of Warcraft
and wasn’t really looking around for other MMO distractions, but something about the article caught my eye.
It wasn’t the use of the Lord of the Rings book franchise, which I had respected but wasn’t exactly the most rabid fan in the world. It was a mention of an online fantasy world that hewed to a low magic setting, where dazzling spell effects and typical classes weren’t the order of the day. Instead, the article poured over how much LOTRO was trying to hew to a more realistic and believable setting (albeit one in a fictional fantasy universe), and that made it stand out to me in a sea of upcoming MMORPGs.
Months later, I was in the two-week head start, experiencing Middle-earth in a brand-new way apart from the books or Peter Jackson films. Going through the Shire in those first few days was tranquil and deeply thrilling, as if I knew that this was the start of something special. Ten years later, and I know that my gut feeling was correct. While not a perfect game, LOTRO has nevertheless grown into a wide-ranging and impressive virtual world that still has so much to offer even in this modern age.
I’ve mentioned many a time that I like Funcom quite a bit. I want to like Funcom quite a bit. Heck, I want to be excited about Secret World Legends, but every day or so I get reminded that such a course of action will be very difficult at the least. Because quite frankly, Secret World Legends seems to want me not to be excited about it, as evidenced by… oh, every single thing that Funcom is doing around it.
Which is odd, because Funcom literally has access to a playbook for a large-scale reboot.
Secret World Legends is coming off of The Secret World, which was a cult MMORPG classic with a mighty fan following. Final Fantasy XIV was coming off of… well, its initial version, which had a fan following full of people who admitted that it was halfway to Stockholm Syndrome. And yet that game managed to get people excited and earn fans, while Funcom seems dead-set on alienating people or making them just plain nervous.
Let me talk to you, my friends, about grinding. Specifically, about how it gets a bad reputation that it doesn’t altogether deserve.
How does this connect to this week’s adventures in Black Desert? Well, because I wound up doing a fair bit of grinding. It wasn’t intentional or anything, since my designated goal this week was to just trek about and see the sights for a bit. But if you give me a camp full of goblins just sitting in my path, and you have me, a player who’s more than willing to give these things a shot on the basis that the worst possible outcome is that I die… well, I’m going to fight those goblins. I’m going to fight them a bunch.
And, I think, this was ultimately a good thing. Because while the game still has all of the problems that I’ve seen to bother me up to this point, the grinding of goblins was a notable island of things feeling fresh, crisp, and responsive. It’s almost as if I enjoy the game more when I’m away from the things of man.
Today we are sitting down with ArenaNet
Lead Composer Maclaine Diemer
, who players might best know from his work on Guild Wars 2: Heart of Thorns
and Living World Season 3. Diemer picked up the baton from Jeremy Soule
, the original composer for the base game, and has been pumping out terrific music for the MMORPG ever since.
Massively OP: At this point in your career at ArenaNet, how many pieces of music have you composed for Guild Wars 2?
Maclaine Diemer: I think about this from time to time, but I honestly don’t know. I’d say it’s in the “several dozen” range, between all the holiday festivals, Living World content, Heart of Thorns, and other miscellaneous stuff like cinematics and marketing videos. It’s exhausting just thinking about it!