If you’re taking part in the sequential seasons of the Feast in Final Fantasy XIV
, you want a mount worthy of your willingness to punch your fellow adventurers in the teeth. Season 7 is kicking off on March 13th, and for players who place in the top 100, the development team feels a suitably impressive reward awaits in the form of… the second boss of the final dungeon in Ala Mhigo
All right, the chair of that boss.
The second boss is only a minor player in the storyline, but his voice clips alone make him a memorable fight, and he also spends the fight riding around on a fantastic magitek lounger the whole time. Place well enough in the competitive Feast arena, you may be able to fly it around yourself. It’s a fine way to kick back after getting your kicks.
Undoubtedly, our world is poorer in this post-City of Heroes era for the lack of pun-inspired superhero names that used to run, fly, and jump rampant through this game. Maybe NCsoft realized that the world as a whole was about to hit a pun shortage and pulled the plug on CoH before it could drain us of that precious resource.
In any case, BigAngry submitted this museum-quality screenshot as a reminder of the days when the name could make or break a hero: “In the waning days before the fall of City of Heroes, I took video of all my characters using their powers, so I took a screencap of the video of Soviet Summoner, who was a Demon Summoning/Trick Arrow Mastermind. Her demons, IIRC, were named after Russian cities, with the big demon named Chernobyl, of course! God I miss that game.”
I am nothing if not a creature of habit, and one of those habits is to revisit MMOs that I’ve previously played and left. I like to “check in” with these old haunts about once a year to see if there’s anything new to suck me in or if I’ve simply come back around to wanting to settle back in to a particular title.
Recently I wrapped up a month of Final Fantasy XIV, which I find that I’m revisiting every spring. It’s long enough to have a bit of fun but also to be reminded why this game isn’t quite up my alley (the classes and combat don’t really excite me, for starters). But even if it didn’t end up bringing me back in, I was happy to say hi to old friends and toss in a dash of different gaming flavor to my routine.
What about you? How often do you revisit MMOs of your past and what have you found in them lately?
With the removal of the perpetual server restrictions and the opening of personal housing again, Final Fantasy XIV
seems to have decided that its housing problems were fixed. Or, if not fixed, at least significantly ameliorated. The game added a huge chunk of new wards, rules were put in place to make sure that people couldn’t snap up tons of houses for themselves, and I will definitely concede that a whole lot of stuff was different this time around. For some time after housing was introduced, small houses were actually available
, so Free Companies who wanted one but hadn’t quite made it were ready.
I will be the first to say that the new rules and restrictions were definitely a success. In terms of getting people connected with houses, this all worked, we got stuff more sorted out, and this is definitely the best we’ve had it since housing was first introduced. That doesn’t mean that I think the problem is really solved yet, though; a lot of the rules as they stand are inelegant solutions to a problem, and that’s part of why we are where we are.
It seems as though some players’ attention has shifted back to Elder Scrolls Online this spring, especially with the recent Dragon Bones DLC drop. Telwyn over at GamingSF documented a bit of fun in which he enjoyed infiltrating a camp in disguise versus having to do it in stealth mode.
“I find ‘disguised’ gameplay is more relaxed and better paced (since stealth is slower movement),” he wrote. “It’s especially nice in ESO when you need to take time out of fighting-all-the-things in a hostile to read the many books and quest-related texts – having a pause in the action makes it more enjoyable to read these.”
It isn’t all rainbows and puppies, however. Roger from Contains Moderate Peril expressed some frustration at ESO’s leveling gear, or lack thereof: “The One Tamriel Update removed the level restriction on content, scaling everything according to the player, which obviously didn’t help the gear situation. With delves and story quests scaling to your level, there isn’t the surplus of gear generated by content fixed at a specific level. The lack of a server wide auction system is also a major contributor.”
I like to think that I have a fairly open mind when it comes to accepting strange sights and races in fantasy MMORPGs, but Final Fantasy XIV seems hellbent on finding my breaking point. Literal cat-fish might just be that. It’s too weird for me, I’m out of here.
“Looking for NPC comic relief?” Vincent asked. “I give you the Namazu. Half-cat, half-fish (?) and I’m pretty sure the person who came up with the design was half-baked. The other shot I took on the way back to Castellum Velodyna (Beast Tribe quest hub) just as the fog was about to lift…”
When you’ve just made Moogles look normal and mundane, you’ve really accomplished something.
Let’s talk game preservation. We’ve been covering MADE’s attempt to convince the government to tweak its interpretation of the DMCA to basically allow museums, academics, and institutions of learning to bypass laws against reconstituting the tech infrastructure necessary to get old dead online games back into playable (and therefore researchable) format. The law and its collected exemptions already essentially allow the preservation of everything but MMOs, leaving our specific genre screwed. MADE’s proposal was met with what I can characterize only as a melodramatic and inflammatory paper from ESA lobbyists opposing it on copyright grounds and suggesting that MADE is basically a party house planning to profit off throngs of gamers who will show up to play games closed down 15 years ago.
As we wrote yesterday, honest MMO developers roll their eyes at the idea that games which were sunsetted because of insufficient players ages ago are suddenly going to pose a financial threat if resurrected for academic purposes.
I wanted to open the topic up for discussion for the writers and readers. A lot of the MMO playerbase, I know, already supports emulators, whether or not they’re legal, and will gladly hop on board the “it belongs in a museum” train if it helps get us closer to a world where companies can’t sit on game code forever. Do MMORPGs belong in a museum? How far should the law go when it comes to protecting copyrights for shuttered games?
If you’ve already done all there is to do in the most recent Final Fantasy XIV
patch, you won’t be able to say that for much longer. Patch 4.25 releases on March 13th
, and it brings with it more content for players to explore, starting with the new forbidden land of Eureka. Deep in the Glass Ocean, an island is there that is found on no charts and has never been explored… and also contains ancient Allagan technology and ferocious beasts.
So, naturally, you’re going there to explore and set up a trading post because that’s what you do.
After you’re done with the mysterious island, you can hop back over to the continuation of the Hildibrand quests, which continue Nashu’s misadventures in Kugane with new faces, new complications, and presumably a new series of sight gags. You can check out the preview for a little more information, or you can just wait the short span of time until you can explore the content for yourself less than two weeks.
Mighty and majestic, scaly in hide and shrewd of mind, smoking with fury unabated… these are the Battle Bards! Also, dragons. Yes, in today’s episode, the Bards tackle the soundtracks to one of the most iconic fantasy creatures of all time. So call over your good luck dragon and get your best Sean Connery voice on as we loot the musical hoard of these beasts.
Battle Bards is a bi-weekly podcast that alternates between examining a single MMO’s soundtrack and exploring music tracks revolving around a theme. MOP’s Justin co-hosts with bloggers Steff and Syl. The cast is available on iTunes, Google Play, TuneIn, Pocket Casts, Stitcher, and Player.FM.
Last week, we covered the mechanical issues for about half
of the Final Fantasy XIV
job lineup. This week, we’re covering the other half. That seems rather straightforward, doesn’t it? There we go.
The thing about mechanical issues is that they’re sometimes hard to identify; they’re not as simple as weaknesses or balance issues. A job not dealing nearly as much damage as other jobs in the same role is a balance issue, while a job having to deal with mechanics differently is a weakness (like how Summoners have fewer options to quickly dispatch adds, or melee jobs have to deal with avoiding AoEs differently). Mechanical issues are specifically places where the mechanics of the job are the issue, leading to gameplay that’s disconnected or irrelevant.
But people seem to have gotten the idea from the first installment last week. So with all of these facts in mind, let’s start talking about the other half of the game’s jobs, not first on deck but no less important.
It’s time for another celebration of song and cheer in Final Fantasy XIV
as the annual Little Ladies’ Day rolls around once more
, this time with a fresh performance by the musical trio, the Songbirds. They’d be a pop ensemble if Eorzea had pop ensembles, and this year you’ll unlock the ability to jump up and down whilst waving a glowstick in the crowd.
Of course, that’s not all you can pick up from the event; there’s also a new Orchestrion roll and a new piece of furniture from the previous furniture design competition. So you can make your home sound like a concert while people jump up and down in awe. Considering you can already put on an actual concert, it seems like it’ll all fit together. The event kicks off on March 1st, so you won’t have long to wait before you can throw your hands in the air and/or wave them in a manner suggesting you do not care.
I’m sorry to have to begin this week’s column with a public service announcement, but this has been a long time coming. Friends, beware of the Elves. Elves will only lure you into danger, tempt you down roads best left alone, and make a mockery of life insurance policies. Reject the Elf in all of its forms.
“Sadly I’ve been resucked into World of Warcraft because elves (only because Justin has such a hate on for them),” wrote Winter.
DARN IT, Winter. Did you not hear a word I just said? No matter. The Massively OP Intervention Unit (MOPIU) is on its way to your home as we speak. Put down the fake pointed ears and listen to them, won’t you?
This week’s Massively Overthinking topic comes to us from Steve, and it’s a frustration for our team as well, I promise.
“If the following statistics industry execs and analysts put out are true – that online multiplayer games are most profitable, that the average age of gamers is 35, that over 40% of gamers are female, and that ‘women’ and ‘over 35’ are two of the fastest growing demographic segments – why are virtually all major online multiplayer games designed primarily (in fact, almost exclusively) for males aged 15 to 35? I can’t speak for women, because as a straight, white male, I am aware 97% of the world exists to obey my whims and desires. However, as someone in my 40s, I notice that video games increasingly tend to be the exception, and it’s pissing me off more daily. So I can only imagine how frustrating it must be for women (40% of gamers, but just one Overwatch pro, for example, has to be infuriating). For an industry that wants every cent it can get its hands on, ignoring these groups (particularly the affluent 35+ age group) seems like a massive oversight.”
Yep! Let’s dig in.