Crowfall‘s Kickstarter campaign has crossed the 12,000 backer mark and hit yet another stretch goal. This means that the team will be giving an All-Father housing statue to everyone who backs the game. At 13,000 backers, ArtCraft will grant every backer a free month of VIP come launch.
The studio also updated its crafting FAQ to expain how crafting skills are acquired, how decay will benefit the economy, how “junk” crafted items will be disposed of in a vendorless world, and how alting will be discouraged. “We see crafters as a full-time playstyle,” write the devs. “They fill a valuable role as much as a tank or damage dealer does. In addition to being able to enjoy the “meta-game” of inter-World trading between Worlds, Crafters also have a specific niche role — every faction/guild will need to recruit them to turn resources into valuable equipment within the Campaigns.”
Last week at GDC Frontier announced that Elite: Dangerous is headed to the Xbox One in 2015. Predictably, this caused a bit of consternation amongst the space sim’s PC user base. Frontier boss David Braben took to the forums to elaborate, and soon after we peppered him with questions to further clarify how the console and PC builds of E:D are shaping up.
Click past the cut to see what he had to say.
Would you love to play Final Fantasy XIV
if only it didn’t cost per month? According to a new interview with producer Naoki Yoshida
, you’ll be waiting a while. “If WoW
ever goes completely free-to-play, maybe we’ll consider it,” Yoshida jokingly told PlayStationLifestyle.net
via a translator.
He was asked whether or not Elder Scrolls Online’s upcoming buy-to-play conversion has any bearing on FFXIV’s subscription model. “No, we do not feel that we are being influenced by that kind of model shift,” he said. “Especially with an MMORPG, it is a kind of a game as a service, where we are kind of almost in the service industry.”
Yoshida also mentions data that “shows over 80 percent of our players are satisfied with the subscription model and they feel very assured that it is constant.”
; thanks Scott!]
Richard Garriott casts a long shadow in the MMO industry, with Ultima Online serving as the first fully graphical MMO and ushering in the genre as we know it. His more recent claim to fame, though, is the success of Shroud of the Avatar, a crowdfunded spiritual sequel to his Ultima series, online and off. It’s one of the big crowdfunding successes and something that raises plenty of interesting questions about the viability of crowdfunding and how the game’s financial model influences its development.
I was lucky enough to have a chat with Garriott during my time in Boston at this year’s PAX East, and I started by asking him about another long shadow: Godus. Comparisons are fairly obvious, with Godus being another game project put forth by a well-known developer (Peter Molyneux) for crowdfunding. So what sort of influence do high-profile troubles such as those have on Shroud of the Avatar‘s community, and how can the team avoid the risks?
Polygon posted an interview with Chris Roberts this week, and it’s worth a read if you’re still wearing your Star-Citizen-is-a-Ponzi-scheme cap. “People can only back for a ship when we have it in production,” Roberts says, when asked if he worries about Cloud Imperium Games taking money for assets that never materialize.
He goes on to explain how Star Citizen’s development model was heavily influenced by Minecraft. “My original plan was that I was going to raise some money from private investors to build a sort of alpha that didn’t have everything I wanted in it,” Roberts says. “It would have been enough that I could give it to someone and they could play it and they could give me a reduced amount of money and I would use that money to continue adding features until I built it to my final feature set.”
Now, though, CIG has amassed such a sizable crowdfunded warchest that Roberts has decided against promising even more functionality. “We actually kind of backed off from doing stretch goals recently just because we’ve done so many of them and there is always a bit of a debate,” he said. “First of all, we’re starting to run out of ideas and second of all we have a lot to do and people started complaining.”
What do you get when you take a few of the most experienced developers in the MMO industry and give them the freedom to buck the safe trend of copycatting World of Warcraft? And what would you get if you further challenged them to combine the progression from MMOs with the always-fresh strategy genre? You might just end up with something like Crowfall.
As you read this, Crowfall has launched its Kickstarter funding campaign after weeks of speculation, reveals, and an always-ticking countdown timer. ArtCraft has done all it can to prime the pump for community investment, and now we’ll have to see whether it will pay off spectacularly… or be deemed too niche for primetime.
Last week, I chatted with ArtCraft’s J. Todd Coleman and Gordon Walton for a no-holds-barred discussion about Crowfall. Enough with the teases and partial revelation; I wanted the full picture. What is Crowfall, really? And how will it set itself apart from the MMO pack?
Shroud of the Avatar executive producer — and original Ultima Online director — Starr Long was interviewed by The Escapist this week. Long discusses his early Origin days, where he worked on everything from the Wing Commander series to a long list of Ultima products.
He also talks about Tabula Rasa, Kickstarter, and of course his newest project as well as his general design philosophy. “If I see a light, I should be able to turn it on and off. If I see a candle, I can blow it out. If there is a door, I should be able to open and close it, to lock it and unlock it. I should be able to take that cup off the table, hold it in my hand, and drink ale out of it,” Long explains. “That requires a lot of computing horsepower and a lot of memory, which means you have to take it from somewhere else. The easiest place to take it from is the graphics, but I would always much rather have a high degree of simulation than the best, newest graphics.”
[Source: The Escapist
Great news for those who had their minds blown with that Steparu Lost Ark video last year: The Diablo-esque action RPG may indeed be coming to the west.
In an interview with Worlds Factory, Tripod Studios said that it’s aiming to bring this game out of its home country: “First, we will be launching in the Korean market. In 2015, we are going to proceed with [the closed beta test]. We are considering launching Lost Ark in western market, and the date will be finalized after solidifying the service schedule in Korea.”
The interview goes on to discuss Lost Ark’s many features, including explorable regions, a PvP battleground system, ownable islands, a “broad and extensive” economy, 18 classes, and NPCs who must be won over before you can access their secret adventures. A business model has not been decided as of yet.
If you’re just hearing about Lost Ark for the first time, check out the gameplay trailer after the jump to see what all the fuss is about.
If you are bone tired of the MMO trope where you (and millions of other players) are the chosen hero fated to rescue the entire world, then Warhammer 40,000: Eternal Crusade’s ego-busting approach might be right up your alley.
“Unlike traditional MMOs, we aren’t treating you like the fated hero of the land — you’re a soldier here to do a job. And if you become a hero or a leader of men, it’s because you really earned it,” Lead Game Designer Brent Ellison said in an interview. “You’re important because your team is important.”
Have you heard about Ever, Jane and thought to yourself, “Who would make this kind of MMO?” Well, now you can meet the creator herself, Judy Tyrer, as she participates in an hour-long interview with Obsolete Gamer.
Tyrer confesses to being a lifelong gamer who built up experience at companies such as Sony Online Entertainment before embarking on her Jane Austen-themed game. In the interview she discusses how she cut her teeth on the old PLATO network terminals, how she rejects being a “statistic” as a female developer, and how she lives as not only a gamer but a gamer parent.
Ever, Jane is currently on its 1.5.1 release and is planning on a 2016 launch.